Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I possess marked the art as 'open-ended', for example paper-cuts.
Origamie facile
By this I mean that we no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Origami facile
Kent du Pre has Avion En Papier Tutorial done such work on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have made an appearance occasionally, however the most extreme form occurs in Paper Wonder with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Origami Heart Bookmark Japanese Origami.
Origami fleur
Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities
and the other to avoid the complexities of a model achieved only by folding.
Fleur origami
Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modeling particularly if foil has been used and one can be certain of the material remaining in place. A modern day example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modelling following the folding The thought of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be soft and that we are approaching sculpture rather than Origami.
Bateau en papier
The associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the finish to Origami Christmas Tree show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of document each folded to represent some part of the pet and then brought collectively. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have appeared for folding a monster from a number of squares of different sizes.
Comment faire un avion en papier
In the most extreme Origami Star Box combos of water and document we are, naturally , in the world of fun which is evidently an open-ended art. DecoratingThe easiest step from a single color is one side colored and one white or plain. A great deal of modern Origami intrusions this colour difference. A new delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form Avion En Papier Qui Vole of decoration occurs in Japanese papers which are already printed with a design suited to a unique model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening Simply by stretching our square we obtain rectangles then bows and finally string.
Fleur en papier
The slicing out of holes etc. to indicate eyes and so on is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. The most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.